Parque Nacional Los Glaciares by Piero… on Flickr
Posts marked iceberg
Highlights from Environmental Graffiti’s slideshow: The Staggering Beauty of Iceland’s Glacier Lagoon.
Amazing images of Antarctica by Tim Laman
James Balog has spent years setting up cameras from Greenland to Alaska to capture beautiful images that capture the ugly reality of climate change. He has now assembled that work into the book Ice: Portraits of Vanishing Glaciers.
About the book:
A never-before-seen look into the forbidding environment of glaciers, this book celebrates a realm of magnificent endangered beauty. Since 2005, renowned nature photographer James Balog has devoted himself to capturing glaciers and documenting their daily changes. These stunning images are a celebration of some of the most extraordinary natural formations on earth, as well as a dramatic and timely demonstration of the stark consequences resulting from global warming—from Alaska to Iceland to the Alps. As glaciologists for the Extreme Ice Survey, Balog and his team are conducting the most extensive glacier study ever, covering France, Switzerland, Iceland, Greenland, the United States (Alaska and Montana), Nepal, Bolivia, and Antarctica. Their high-resolution cameras capture approximately 4,000 images per year. From this collection of nearly half a million photos, Balog presents the most stunning panoramic photography of glaciers ever published.
A Portrait of Ice by Caleb Cain Marcus
About:
Glaciers—massive and frozen reservoirs of freshwater—range in size from the length of a football field to the breadth of a continent. Photographs, on a much smaller scale, are reservoirs too. They store up a good deal of the data we rely upon to engage with, function in, and document the world. They blanket culture, media and everyday life, just as glacial ice covers vast portions of the globe. Bore down below the surface of glaciers—or photographs—and layers of stratified evidence and meaning re-emerge. Scientists drill, sometimes more than a mile deep into the earth, to extract core samples from ice fields, flecked with dust, ash, traces of atmospheric gas or radioactive substances, even fragments of meteorites. Upon examination they reveal the details of hundreds of thousands of years of climatic history and change. Look deeply and critically enough at the information and narratives embedded in any single photograph and something similar happens as evidence of flash-frozen moments and their motivation resurfaces and falls into place.
What Lies Beneath by Gabby O’Connor represents an iceberg brought indoors.
About the work:
At a time when we are becoming increasingly aware of global warming and climate change, and what it means for humans, the melting of ice occupies a sensitive place in the collective consciousness. One of the projected impacts of climate change is a rise in average sea level, due in part to the melting of land-based ice. The gallery installation projects this possibility onto a physical space, where we are imagined underwater.
Images from Camille Seaman’s exhibit The Last Iceberg at the Chroma Projects Art Laboratory in Charlottesville, VA through June 29, 2012.
Photos by Kyle Anstey
These spectacular photos of icebergs are by David Burdeny.
Burdeny on his project:
During 2007 and into the spring of 2008, I made several long journeys to the upper and lower extremes of our planet to photograph the shorelines, monolithic ice forms and landscapes of Greenland, Icelandic and Antarctica. Most of these places are arduous to reach, beyond the borders of domestic transportation routes, accessible only by small aircraft or boat. All are endangered to some extent – threatened by tourism, climate change, industry and the hunt for oil.
This new series, Icebergs begins to explore what are currently the most geopolitical and geographically sensitive shorelines on earth.
Formally different than my previous work, but motivated by similar principals, these images attempt to encapsulate both the otherworldliness and the vital reality of the northern seas and oceans. I was drawn to the fragility and grace of the frozen landscape. For me, the work is both a celebration of nature’s survival and an elegy.
From Melt by Simon Harsent
Harsent on his work:
[Melt] begins with images of the massive icebergs as they enter Greenland’s Disco Bay from the Ilulissat Icefjord; it ends with the icebergs off the East Coast of Newfoundland, by which time they have travelled hundreds of miles, and have been so battered and broken down that they are little more than ghosts of what they once were. Seeing them first overpowering in grandeur and then, later, about to be absorbed back into the flux from which they came, is both beautiful and humbling: a metamorphosis that endows them with a life-span, each with it’s own personality, each with it’s own story…It is impossible, however, to look at these images and not think of the environmental issues we face right now.














Visit the Thinx site