Maps by City Prints. Click on the images to see the locations.

City Quilts, quilted maps of cities by Haptic Lab

Darkened Cities by Thierry Cohen imagines the starry skies we’d see in urban areas if we turned off all the lights.

About the project:

Before these pictures can exist, the sky from one place has to be superimposed upon cityscape from another. It is impossible to see this detail in the night sky above a city. Atmospheric and light pollution combine to make looking into the urban sky like looking past bright headlights while driving.

By travelling to places free from light pollution but situated on precisely the same latitude as his cities, Cohen obtains skies which, as the world rotates about its axis, are the very ones visible above the cities a few hours earlier or later. To find the right level of atmospheric clarity, Cohen has to go into the wild places of the earth, the Atacama, the Mojave, the western Sahara.

As more and more of the world’s population becomes urban, and as we lose our connection with the natural world, so it becomes plain that damage is caused by light pollution. There may be connections to certain cancers, and there are psychological burdens of permanent day. The ‘city that never sleeps’ is made up of millions of individuals breaking natural cycles of work and repose. Lose sight of the sky, and you become a rat in a lab.

Cohen hasn’t simply shown us the skies that we’re missing. His cities look dead under the fireworks display above No lights in the windows, no tracers of traffic. They are (in fact) photographed in daylight, when lights shine out less brightly. In urban mythology the city teems with energy and illumines everything around it. Cohen’s pictures are crafted to say the opposite. These are cold cities, cut off from the seemingly infinite energies above.

Blinking City by design duo Instant Hutong (Marcella Campa & Stefano Avesani) 

About the project:

Blinking City is a project investigating the inadequacy of traditional maps for city environments characterized by fast pace transformation and urban growth. As soon as the map is done, the city it describes has already gone. We transferred one of the Blinking City pattern, based on a collage of several Hutong neighbourhoods of Beijing, onto a wall of a dilapidated courtyard house in Xianyukou district, located in the core of the city.

CODES - Imaginary maps of nonexistent cities by Frederico Cortese

Cortese on his work:

When we consider a road map or a map of the territory we note that they contain different information that are represented by different means, according to the purpose for which they were created: each time we find colors, symbols and words that recall a precise meaning. What happens if I take these techniques of representation, these symbols, and take off the scope for which they were created and mingle them with each other? Will it be for the reader a text in a foreign language, that is meaningless, or through the world of associations and references that each of us possesses, will generate a new language and associate to those images a new meaning?

In these drawings, the invention of the map of a city is only a pretext. Gradually, by changing the shapes, colors and the hierarchy of associations between the various elements I explore the possibilities of changing this language increasingly moving away from its original meaning.

Bosco Verticale is a project by Stefano Boeri that is currently under construction in Milan, Italy.

About the project:

Bosco Verticale (Vertical Forest) is a project for metropolitan reforestation that contributes to the regeneration of the environment and urban biodiversity without the implication of expanding the city upon the territory. Bosco Verticale is a model of vertical densification of nature within the city. It is a model that operates correlated to the policies for reforestation and naturalization of the large urban and metropolitan borders (Metrosbosco). Metrobosco and Bosco Verticale are devices for the environmental survival of contemporary European cities. Together they create two modes of building links between nature and city within the territory and within the cities of contemporary Europe.

Plate maps by Seletti. I want to collect them all. 

For his series City DNA, Chinese artist Lu Xinjian examines Google Map images of cities and breaks them down to their simplest components. He uses curved lines and circles to symbolize organic, natural bodies and straight lines and squares to represent manmade objects.

Click on the images to see which cities they represent.

These elegant Metrobowls designed by Frederik Roijé are made from maps of Amsterdam and New York. 

City Silhouettes by Jasper James

Dutch duo LouLou & Tummie may not make the most practical maps, but they certainly make fun ones.

Nature reclaims The City in these dioramas built and photographed by Lori Nix.

Nix on her project:

In my newest body of work The City I have imagined a city of our future, where something either natural or as the result of mankind, has emptied the city of it’s human inhabitants. Art museums, Broadway theaters, laundromats and bars no longer function. The walls are deteriorating, the ceilings are falling in, the structures barely stand, yet Mother Nature is slowly taking them over. These spaces are filled with flora, fauna and insects, reclaiming what was theirs before man’s encroachment. I am afraid of what the future holds if we do not change our ways regarding the climate, but at the same time I am fascinated by what a changing world can bring.

Prettymaps is an interactive web project and print series by Aaron Straup Cope

Cope on his project:

I’d like to generate map tiles that give you that same dizzy feeling you get when you look down at a city at night, from an airplane. We’ve spent so long fussing over the relentless details in cartography that we’ve sort of forgotten what things (should) look like at a distance.